How to Draw Snow and Ice Drawing Winter Sceneries
There are various factors to a successful drawing winter Sceneries – your materials, subject matter, and technique. Winter weather, snow, and ice surfaces have unique characteristics that will reward your blessed choices.
What Materials Do You Need for a Winter Scene?
Support: Paper – Texture, and color are very essential when drawing winter scenes. A little texture is fine for some, but overall. You need a smooth cover that will let you capture images and crisp, bright highlights of the snowy landscape.
Smooth office paper is good for sketching or choose a hot-pressed watercolor paper or Bristol board. Choose a white paper – off-white paper will give a dull, dark result.
Medium: Pencil and Pastel – the Rough can sabotage your drawing ideas. You can use a bit of texture on other drawing elements, but snow and ice surfaces call for superb, detailed shading. Snow crystal usually provides soft, even grain, while glossy ice requires crisp, smooth edges. Use a full set of pencils and keep them sharp. The chalkiness of the pastel is great for snow, but you need to use a more composite surface.
What Kind of Winter Topic and Method Would You Choose?
Topic: Choosing References – Choose your reference source carefully. Not all photographs, however somewhat, are suitable for drawing. This is particularly true with frozen waterfalls. Sometimes they look a bit weird!
Take pictures from different angles to give yourself an opportunity. – sometimes, you might want to crop a detail to draw.
Method: Using Value – Remember, white paper is the brightest white you get, so you should use it carefully. Only your brightest sunlight will be pure white, with other areas white.
That said, sunlight in the snow can be brightly dazzling, with large white areas dominating your view. You will need to look carefully and decide where to transition from pure white paper to good shading.
Texture: Use a stiff pencil or some brushed graphite paper for very delicate areas. A hard pencil and fine shading are best for weak areas rather than smudging to keep the tone fresh and bright. You can also try using a tortillon as a drawing tool by piercing it over the matte-colored graphite on some scrap paper, then drawing on it. Apply the hardest pencil you can for each tone level, such as very small pencils. For dark areas, try layering soft and hard pencils to make a great finish.
How to Organize Your Winter Scene
Big, smooth areas of white, tangled areas of autumn tree branches in a winter landscape can seem to permeate the space and make it very difficult to adjust your view. See for powerful features, such as a group of large trees, or the partial line, to provide form and direction. Remember, you can leave things out or add them!
You can also use tonal value ‘steps,’ which make clear divisions from one tone to the next.
Maintain the same level of shading as you work in related or similar areas throughout the scene. It’s a bit like limiting your painting palette. Plan clear steps of light, mid/light mid, mid/dark, and dark. You may also decide that even moving from one trivial amount to the next, but in the planning stages, showing these clear steps will help. Try the thumbnail drawing first.
You can also apply texture to assist in organizing the space. Accentuate the view of the atmosphere – the trees in the background will have a clearer appearance than the close ones, and the far edges will be softer. You can use the effects in your cool drawings, even if you don’t see them in your source photo. Emphasize different textures – rough bark, wood grain – to set off the smoothness of the snow. Ice forms can be difficult, sometimes with crisp corners or complete highlights.
Be patient and draw them carefully.
Don’t be a Wimp with Value! – Finally, don’t be afraid to use dark shading. Low winters can cast dark shadows, and dark buildings and branches can look dramatic against the white snow – deep dark areas show a white appearance. Try doing a value finder to assist judge the tone of complex areas.
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